“From the Mouths of Enlightened Musicians”

The musical world according to a young visionary.

When I set out to put together my weekly radio show with three female musicians I had no idea how it would fly. Well, it flew just fine thank you. The final segment was pKiaya2lanned to be an interview/review of a double-release by the band, Silver and Moonlight. However, and as a great surprise to me, the interview segment blossomed into an exhaustive analysis of music making, improvisation, the inner workings of band live and composition, and a look into the mind of a gifted and artistic young lady…I would dare say a modern, artistic renaissance woman.

 

A little background:

Kiaya Abernathy is a vocalist, lyricist, multi-instrumentalist, spectacular visual artist, and a very creative photographer. If that isn’t enough, she’s strong-willed, perceptive, and enlightened. That would all be understandable if she were in her forties, but if you take off a decade aKiayand a have you are closer to the truth.
Kiaya is dedicated to bringing to the masses art in all of its expression. In this interview, she speaks for all of us who struggle to bring forth creative and meaningful music into a world where sameness and commercial gain eclipse meaning and foresight.

 

 

As you listen to Kiaya speak about her band, her father, her ideas, and her hopes for the future, think of the way things could be. The way music would change if her worldview were a reality. If music were set free from the chains of what has to be.

Listen here:

The Interview

 

Check out the 31 song double album release by Silver and Moonlight:

Stars Shining Bright and Loon Call are here:

The Bands Website

silverandmoonlight.jpg

 

My radio show, The Studio Rocks with Mark Campayno, can be heard every weekend here:

JBRNewSlideThe Studio Rocks w/Mark Campayno

 

 

 

 

The song I didn’t know. Adele strikes again…at least for me.

“Send My Love (To Your New Lover)”

Acoustic Guitar Tutorial and Score

 

Okay, I admit it. I have been annoyed by Adele’s music. Why? Well, it turns out that I’m as susceptible to radio/media overkill as much as anyone. However, On July 25th 2016 at  approximately 2:30 pm I was sitting at a red light about a half mile from the studio.

Adele-adele-31416030-1920-1200Lo and behold I hear this music…this guitar and bass drum. Then, I hear the voice. Instantly, I knew it was her. I’m thinking no not again! But, this was different. This song cut through my musical being like a knife. The songs ends and the light turns green. I rush into the parking lot, into the

1Adele-Premieres-Send-My-Love-To-Your-New-Lover-VIDEO
I dial in the song on YouTube and the studio and drop everything.That day, and my opinion of Adele changed. This two-chord guitar gem has taught me another valuable life lesson. Judging based on how you think things are is a tragic mistake. The wonder woman of music has done it again…lest you think you can be this creative with just two chords an acoustic guitar and a drum:) Okay, enough of that.

adele picHere is what I have so far of the guitar and percussion part for the song. I will have it finished tomorrow and will turn this into the finished product. This should suffice for the next 12 hours.

Guitar Score PDF:

Send My Love (To Your New Lover) GTR

Percussion Score PDF:

Send My Love (To Your New Lover) PERC

Here is the YouTube Link for my tutorial:

 

 

“Nylon Fantasy #2”

A Nylon String Guitar Original Work

Prelude

This “classical guitar” work in the new acoustic style is by far my favorite of the ones I’ve written 'Air Guitar' byso far. Both its sound and construction are exactly what I look for in instrumental guitar works. Like anything else that comes as a pleasant surprise, this was one of those sessions where everything came together. I must say however, that I never go into a session with a preconceived idea, well at least not one that is carved in stone. My brain doesn’t work that way even though I can be very conservative and by the book in other areas of performance and study.

 

Methodology

I go in to such sessions randomly trying not to get caught up in the guitarists mindset that can plague your endlessly. The thoughts and schemes such as what key? What scales or chords? Should I go intblockdiagramo an altered tuning or not? Should I play fast or slow? That does nothing more than push your spirit into a one-dimensional force bent on being traditional. Traditional for the sake of tradition. Not to pay homage to it, but to be bound by it.

The Work

I don’t remember consciously doing this but it has a logical rhythmic flow to it. The piece starts out by stating the melody in between a very dense foundation harnomics.gif
of dark arpeggiated chords. I overdubbed some, but not all of the harmonics onto the work as a decorative effect. I, like many non-guitarists, tend to find them aurally attractive and very desirable especially on acoustic guitar.

 

Technique

slurs

The slurred sections were not easy but flowed surprisingly well considering that I had no plan for incorporating them. I’m very happy with how they turned out. It’s my climbing Mount Everest moment as that are fairly athletic. It will take quite a few minutes to pull them back under my fingers in that exact configuration. However, I must take the time to score out the work so as to codify it. In that way, it becomes “official”, solid, unbending. Unless, of course, I go back and change the score.

Angular Thinking

As musicians, we all have areas that are endemic to our playing. I love the angular in music, but to produce it well is not easy. This was one time that it happened without the usual struggle and gnashing of teeth. The fleeting moments of non-compliance with the voices in our heads that would doubt us.The total control one has sought from the beginning of the Screen+Shot+2013-03-07+at+10.01.40+PMjourney. However, I’m sure I’ll go back to the struggle until I can take control of angular and the unexpected in my playing.

 

Thank God for the guitar.

 

-Mark Jeffery Campayno

Guitar tab/score: Justin  Timberlake’s “Can’t Stop This Feeling”.

This is a guitar transcription of Leroy Sanchez’s cover of the Timberlake release. It is an acoustic guitar/vocal performance.

https://drive.google.com/open?id=0B7AH_jj2jg2-NXN2aUgzOTFhOGc

Charlie and Selena Don’t Talk Anymore?

The Acoustic Guitar Score for Charlie Puth’s new single, “We Don’t Talk Anymore” featuring Selena Gomez

Youtube Official Audio Version from Charlie’s Vevo Channel:

“We Don’t Talk Anymore” Official Audio

“We Don’t Talk  Anymore” the new single by Charlie Puth, featuring Selena Gomez, contains a very exciting guitar part that will keep your concentration on high alert. Even though consists of only two separate but similar chord progressions, one little slip can cause a bit of a mess due to its fast tempo.

wedonttalkcolorProgression 1 (4 measures)

A Major – B Major – C#minor – G#minor.

Progression 2 (4 measures)

A Major – B Major – C#minor – C#minor.

*For clarity’s sake let’s call these sections A and B, which is clearly marked on the score.

wedonttalkbw

The entire song is played arpeggio style with a fast 1/16th-note texture and it never strays from these two sections.

The difficulty with playing “We Don’t Talk Anymore” will lie in the speed at which the parts are played. The tempo is a “brisk”

It will be easier to play this song using finger style technique on an acoustic guitar. Using a pick will require extreme accuracy for the entirety of the song (3:37). If you are up for it, God bless you!

Here is the structure of the song:

  • wedonttalkcolorThe intro is: A B
  • Charlie’s Verse is: A A
  • Charlie’s Pre-Chorus is: A B
  • The Chorus is: A A
  • Selena’s Verse: A A
  • Selena Pre-Chorus: A B
  • The instrumental: A A
  • The Outro (Charlie and Selena): A B
  • The Outro Double Chorus: A A A A

-Mark

Guitar Score:  “We Don’t Talk Anymore” PDF Guitar Pro File

Here is the Youtube link:  Youtube Tutorial for “We Don’t Talk Anymore”

Meaning verses Purpose

What is the meaning of life? How many times have we asked this question? How many times have we heard someone else ask it? Why do we spend time searching for the meaning of life? Instead, why not search for your purpose in life.

As the days and months pass your time spent searching for the meaning of life could have been spent looking for, working on, or discovering your purpose in life. There is a difference and the difference is huge.

The word purpose is defined as:

: the reason why something is done or used : the aim or intention of something

: the feeling of being determined to do or achieve something

: the aim or goal of a person : what a person is trying to do, become, etc.

Definition of Purposemeaning-of-life

This definition has three glaring calls to action. First, you must have intention, second you must be determined, and finally, you must have a goal. Life without meaning is dark, vacant, and hopeless. Life without purpose is a drain on society and an even larger drain on those around you.

Find your purpose, then search for the meaning in your life.

Video Information:

“A Reflection of Destiny” – An Original Composition
Track by Anurag Mistra
Improvisation by Mark Jeffery Campayno
https://www.youtube.com/user/mrcampy123

This is a gorgeous track produced by my friend Anurag Mishra and one that is perfectly suited to playing improvised lines over. Everything about it is suited to melodic development and soaring vocal-like lines.This is my first move into playing lines that are not typical or expected. I played with a more legato tech nique in this solo then I ever have before letting the sound of the guitar do the rest.

This “moving away” from traditional musical expression comes from two things: Daring to be different, forcing change in my usual approach to playing, and a lot of reflection on guitar playing in general. Sometimes expression on the instrument can only be produced by forcing technical demands in both rhythm and note choice.

There is no question that musical performance, especially improvising, it’s the truest manifestation of the soul.

Thank you Anurag for an amazing track.

Check out Anurag’s music!

Anurag Mishra’s Bandcamp

“The Mountain Stream” – A student’s journey towards the mastery of the score and a teachers paradigm shift.

“The Mountain Stream” is a wonderful guitar composition by Sveinn Ehthorsson. Mr. Ehthorsson runs a wonderful guitar website, The Guitar School http://www.classicalguitarschool.net/en/. I’ve used this site for many yea2014-12-25 00.10.38rs in my public school guitar teaching and have been very happy with it. One of my current students, Michael, is working on “The Mountain Stream” for an upcoming evaluation at his high school. He is doing very well so far and we both absolutely LOVE this piece. I have included a recording that we did of the first minute or so of the music. Once Michael completes the piece we will record the entire four pages. The score for the work is available on the website. Here is the sound clip of the first section of Michael’s performance of “The Mountain Stream”. WE recorded it on Pro Tools 9 using a Shure 137 condenser mic about one foot away from his guitar’s soundhole angled in towards the bridge slightly.

The following is a brief look at how Michael has influenced me. Far be it for a teacher to be influenced by a student right? Wrong. If you are not learning from your students then something is out of balance.

oldyamahaTHE STUDENT INFLUENCES HIS TEACHER

You know I love to create music. Just create. No music on paper. Just a guitar and an idea. However, my conservative side, which is much larger that it may appear, was honed in the early days of my playing when technology was in book form. No aids, no shortcuts, just the music. I learned to play on a Yamaha classical guitar, which I still have at my studio. It is worn, beaten, doesn’t play well, and is fading fast. But, in it is the beginning of a lifetime of guitar playing, studying, and teaching that has brought me further than I could have ever dreamed.

My student, Michael, is discovering this same joy. Michael is dedicated, serious, task-oriented, and talented. I say this because teaching Michael keeps me keenly aware of my roots in music. I love to study music in all forms and to be honest I miss that part of my musical life. The reality is that when you teach and have successful students, you teach more. Your “alone time” with the guitar becomes scarce. It starts to dwindle down to spasms of random time. You begin to realize that you have to fight to stay on top of your musical goals. In the end, I have realized that I must be more like Michael. I must become more focused and driven in terms of working on more structured guitar music. I’ve created a lot of original acoustic music that I’m very proud of, so I am in the process of a shift of priorities in a sense. I want to be Michael again.

Mark

The Rise of Female Guitarists

   Ladies, it’s good to have you. The guitar breathes a collective sigh of relief!
The accgggtompanying song is a dedication of sorts to the increasing amount of female guitar players new to the scene. It’s one of the great movements in the world of music performance, education, and recording. Maybe it’s because I’ve taught guitar in public school for 12 years that I am able to see this first hard. With this increased interest, involvement, and desire to play guitar from females the music scene has and will continue to change. It has to right? How can the status quo be maintained when the literal face of guitar playing is becoming more gender friendly?

I’ve always been interested in this movement as myself, and the rest of the guitar staff in the Loudoun County Public School System http://lcps.org touch many lives. The program is understandably vibrant and appealing to many students. We are able to take in many young people who don’t quite fit into the traditional music classes of marching/concert band and choir classes.  I fell very fortunate to be in an area of the United States where s a major guitar program for students from seventh to twelfth grade exists. That has had a direct impact on the Maryland, Northern Virginia, and Washington, D.C. area where I work. There are countless examples of students (at least 40% of them female) contributing to the music culture of the this multi-racial and wealthy areas. To give you an idea of the impact this has consider that over the last twelve years I’ve taught and directed around 2,000 guitar/music students. When you realize that they are now out in the world in locations from here to anywhere, you begin to see the impact of that this could be having as the years progress. It’s a female equality victory of sorts without a cause, or, for that matter, a fight. It just happened.

Add to all this the “Taylor Swift” syndrome http://taylorswift.com/ (not negative at all) and you wake up to the reality Girl Guitarthat music will never be the same once the full impact begins to manifest itself. Miss Swift has influenced countless young girls to pick up the guitar and play (no pun intended Who fans). But, not just to play, but to sing also. She is a powerhouse in so many ways. Say what you will you naysayers, Taylor Swift will go down in music history as one of the most powerful women in the business, and rightly so.

But, I digress. Of course, the question inevitably comes up, that is, what do females do on guitar that differs from a the male approach? Do they play softer? With more feeling? With more emotion? Oh God, did I say that? Luckily, these tendencies are not limited to female players as these qualities can also be true with males. Not all males approach the instrument like a possession to be lorded over. Moreover, not all women play the guitar softly and tenderly. So the discussion of differences becomes, in a sense, muted.

Whatever the differences are, there is no doubt that the gender difference does produce two differing approaches to the “vision” of and approach to the instrument. If men and women see the world in apinkggtr way that differs from each other than that will translate to other areas of life and art.

Finally, let me state that if there is one area that is a definite hurdle for some women, it is hand size. That is a topic that I am currently researching. I will have some preliminary results for you very soon.

As for the issue at large, keep the girls coming. The guitar was sorely in need of a female overhaul and damn if we don’t have one right at our front door!


http://www.thecreativeguitar.com/new-original-song-new-spring-new-direction/Screenshot 2015-04-20 14.40.35

Anatomy of Improvised Guitar “Inner Life”

How does one begin to explain the emotions contained within such a piece of music? It’s not possible with mere words. If it were there would be no music. To this day, this song weighs heavy on my heart. Basically, the music was birthed on a Sunday afternoon with my son. Looking back, that day was telling. In a way, the power of God was present that day and it now seems that a message was being sent to me. After dropping my son off (the most painful moments of my life) I drove the usual three hours back home. I had no intention of recording anything as it was late and I was tired. Looking around the room I saw my old Aria acoustic guitar. I picked it up and the music began to flow. It was as if a force outside of myself compelled me to do so. I played a few minutes and then decided to record a little of it. The result will always be one of my most memorable acoustic pieces. The pain, regret, longing, and yes, remorse are evident in the music. Do I hear any ray of hope in it? Well, I’m looking still…