“Brothers” Full Metal Achemist (Acoustic Guitar Cover)

“Bratja (Brother)” Full Metal Alchemist – Acoustic Guitar Cover from Mark Jeffery Campayno on Vimeo.

“Bratja (Brother)” Full Metal Alchemist – Acoustic Guitar Cover from Mark Jeffery Campayno on Vimeo.

Anime Guitar

This is a nylon-string cover of the beautiful ” Bratja (Brother)” written by Michiru Oshima.

Here is more information about the song that will put things in context:

Brothers (Russian: Братья, Bratja; Japanese: Buraacha) is a song composed by Michiru Oshima for the anime Fullmetal Alchemist. It can be found on the first Fullmetal Alchemist O.S.T.. Other orchestrated versions can be found on Fullmetal Alchemist O.S.T. 3 and the Fullmetal Alchemist: The Conqueror of Shamballa soundtrack.

The song is about the Elric brothers, Edward and Alphonse, and their feeling about the tragic incident that happened at the very beginning of the series. They attempted to resurrect their mother who had died of an illness. However, during the transmutation, Alphonse lost his body while Edward lost his left leg, and, consequently, his right arm.

In the first verse, Edward expresses his grief and regret for pushing his brother into doing the transmutation with him. He blames himself for what happened, admitting that “there is no cure for death”. Alphonse, in the second verse, attempts to console him. He urges Ed to forget whose fault it is, as they both chose the same path, so neither of them is more guilty than the other. In each of the choruses, they sing about how much their mother meant to them, but how their tries to bring her back were in vain. In the final stanza, both brothers question where they should go from where they are now after realizing that it is impossible to bring back that which has been lost.

Another version of the song was recorded in english by Vic Mignogna, the voice actor who played Edward Elric in the series.

Here are the lyrics translated into English:

Bratja (Brother)

Forgive me, younger brother
I am to be blamed
It is impossible to return
that, which has been taken by earth

One that knows the law
would help me find the answer.
I made a terrible mistake,
there is no cure for death.

Dear Mother! So Soft! (soft as in loving)
We loved you so much.
But all our powers
were spent in vain.

I intrigued you
With the perfect hope
To return our family
My brother, the blame is all mine.

Don’t cry, don’t despair, older brother
You are not the only one to blame
We both have one road
Lets bury the blame to the depth (meaning lets forget whos fault it was)

I can’t blame you for anything,
And I hold no hard feelings. (as in Im not mad at you)
Heavy is our cause
The desire to be stronger than all

Dear Mother! So Soft!
We loved you so much.
But all our powers
were spent in vain.

I was intrigued myself
with the wonderful hope
to return our family.
I am the one to blame.

So what do we do now?
How do we correct and forget?
When you can’t return
That, which was been taken by earth.

Here is my acoustic cover of the song:

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“From the Mouths of Enlightened Musicians”

The musical world according to a young visionary.

When I set out to put together my weekly radio show with three female musicians I had no idea how it would fly. Well, it flew just fine thank you. The final segment was pKiaya2lanned to be an interview/review of a double-release by the band, Silver and Moonlight. However, and as a great surprise to me, the interview segment blossomed into an exhaustive analysis of music making, improvisation, the inner workings of band live and composition, and a look into the mind of a gifted and artistic young lady…I would dare say a modern, artistic renaissance woman.

 

A little background:

Kiaya Abernathy is a vocalist, lyricist, multi-instrumentalist, spectacular visual artist, and a very creative photographer. If that isn’t enough, she’s strong-willed, perceptive, and enlightened. That would all be understandable if she were in her forties, but if you take off a decade aKiayand a have you are closer to the truth.
Kiaya is dedicated to bringing to the masses art in all of its expression. In this interview, she speaks for all of us who struggle to bring forth creative and meaningful music into a world where sameness and commercial gain eclipse meaning and foresight.

 

 

As you listen to Kiaya speak about her band, her father, her ideas, and her hopes for the future, think of the way things could be. The way music would change if her worldview were a reality. If music were set free from the chains of what has to be.

Listen here:

The Interview

 

Check out the 31 song double album release by Silver and Moonlight:

Stars Shining Bright and Loon Call are here:

The Bands Website

silverandmoonlight.jpg

 

My radio show, The Studio Rocks with Mark Campayno, can be heard every weekend here:

JBRNewSlideThe Studio Rocks w/Mark Campayno

 

 

 

 

The song I didn’t know. Adele strikes again…at least for me.

“Send My Love (To Your New Lover)”

Acoustic Guitar Tutorial and Score

 

Okay, I admit it. I have been annoyed by Adele’s music. Why? Well, it turns out that I’m as susceptible to radio/media overkill as much as anyone. However, On July 25th 2016 at  approximately 2:30 pm I was sitting at a red light about a half mile from the studio.

Adele-adele-31416030-1920-1200Lo and behold I hear this music…this guitar and bass drum. Then, I hear the voice. Instantly, I knew it was her. I’m thinking no not again! But, this was different. This song cut through my musical being like a knife. The songs ends and the light turns green. I rush into the parking lot, into the

1Adele-Premieres-Send-My-Love-To-Your-New-Lover-VIDEO
I dial in the song on YouTube and the studio and drop everything.That day, and my opinion of Adele changed. This two-chord guitar gem has taught me another valuable life lesson. Judging based on how you think things are is a tragic mistake. The wonder woman of music has done it again…lest you think you can be this creative with just two chords an acoustic guitar and a drum:) Okay, enough of that.

adele picHere is what I have so far of the guitar and percussion part for the song. I will have it finished tomorrow and will turn this into the finished product. This should suffice for the next 12 hours.

Guitar Score PDF:

Send My Love (To Your New Lover) GTR

Percussion Score PDF:

Send My Love (To Your New Lover) PERC

Here is the YouTube Link for my tutorial:

 

 

“Nylon Fantasy #2”

A Nylon String Guitar Original Work

Prelude

This “classical guitar” work in the new acoustic style is by far my favorite of the ones I’ve written 'Air Guitar' byso far. Both its sound and construction are exactly what I look for in instrumental guitar works. Like anything else that comes as a pleasant surprise, this was one of those sessions where everything came together. I must say however, that I never go into a session with a preconceived idea, well at least not one that is carved in stone. My brain doesn’t work that way even though I can be very conservative and by the book in other areas of performance and study.

 

Methodology

I go in to such sessions randomly trying not to get caught up in the guitarists mindset that can plague your endlessly. The thoughts and schemes such as what key? What scales or chords? Should I go intblockdiagramo an altered tuning or not? Should I play fast or slow? That does nothing more than push your spirit into a one-dimensional force bent on being traditional. Traditional for the sake of tradition. Not to pay homage to it, but to be bound by it.

The Work

I don’t remember consciously doing this but it has a logical rhythmic flow to it. The piece starts out by stating the melody in between a very dense foundation harnomics.gif
of dark arpeggiated chords. I overdubbed some, but not all of the harmonics onto the work as a decorative effect. I, like many non-guitarists, tend to find them aurally attractive and very desirable especially on acoustic guitar.

 

Technique

slurs

The slurred sections were not easy but flowed surprisingly well considering that I had no plan for incorporating them. I’m very happy with how they turned out. It’s my climbing Mount Everest moment as that are fairly athletic. It will take quite a few minutes to pull them back under my fingers in that exact configuration. However, I must take the time to score out the work so as to codify it. In that way, it becomes “official”, solid, unbending. Unless, of course, I go back and change the score.

Angular Thinking

As musicians, we all have areas that are endemic to our playing. I love the angular in music, but to produce it well is not easy. This was one time that it happened without the usual struggle and gnashing of teeth. The fleeting moments of non-compliance with the voices in our heads that would doubt us.The total control one has sought from the beginning of the Screen+Shot+2013-03-07+at+10.01.40+PMjourney. However, I’m sure I’ll go back to the struggle until I can take control of angular and the unexpected in my playing.

 

Thank God for the guitar.

 

-Mark Jeffery Campayno

Guitar tab/score: Justin  Timberlake’s “Can’t Stop This Feeling”.

This is a guitar transcription of Leroy Sanchez’s cover of the Timberlake release. It is an acoustic guitar/vocal performance.

https://drive.google.com/open?id=0B7AH_jj2jg2-NXN2aUgzOTFhOGc

Charlie and Selena Don’t Talk Anymore?

The Acoustic Guitar Score for Charlie Puth’s new single, “We Don’t Talk Anymore” featuring Selena Gomez

Youtube Official Audio Version from Charlie’s Vevo Channel:

“We Don’t Talk Anymore” Official Audio

“We Don’t Talk  Anymore” the new single by Charlie Puth, featuring Selena Gomez, contains a very exciting guitar part that will keep your concentration on high alert. Even though consists of only two separate but similar chord progressions, one little slip can cause a bit of a mess due to its fast tempo.

wedonttalkcolorProgression 1 (4 measures)

A Major – B Major – C#minor – G#minor.

Progression 2 (4 measures)

A Major – B Major – C#minor – C#minor.

*For clarity’s sake let’s call these sections A and B, which is clearly marked on the score.

wedonttalkbw

The entire song is played arpeggio style with a fast 1/16th-note texture and it never strays from these two sections.

The difficulty with playing “We Don’t Talk Anymore” will lie in the speed at which the parts are played. The tempo is a “brisk”

It will be easier to play this song using finger style technique on an acoustic guitar. Using a pick will require extreme accuracy for the entirety of the song (3:37). If you are up for it, God bless you!

Here is the structure of the song:

  • wedonttalkcolorThe intro is: A B
  • Charlie’s Verse is: A A
  • Charlie’s Pre-Chorus is: A B
  • The Chorus is: A A
  • Selena’s Verse: A A
  • Selena Pre-Chorus: A B
  • The instrumental: A A
  • The Outro (Charlie and Selena): A B
  • The Outro Double Chorus: A A A A

-Mark

Guitar Score:  “We Don’t Talk Anymore” PDF Guitar Pro File

Here is the Youtube link:  Youtube Tutorial for “We Don’t Talk Anymore”

Meaning verses Purpose

What is the meaning of life? How many times have we asked this question? How many times have we heard someone else ask it? Why do we spend time searching for the meaning of life? Instead, why not search for your purpose in life.

As the days and months pass your time spent searching for the meaning of life could have been spent looking for, working on, or discovering your purpose in life. There is a difference and the difference is huge.

The word purpose is defined as:

: the reason why something is done or used : the aim or intention of something

: the feeling of being determined to do or achieve something

: the aim or goal of a person : what a person is trying to do, become, etc.

Definition of Purposemeaning-of-life

This definition has three glaring calls to action. First, you must have intention, second you must be determined, and finally, you must have a goal. Life without meaning is dark, vacant, and hopeless. Life without purpose is a drain on society and an even larger drain on those around you.

Find your purpose, then search for the meaning in your life.

Video Information:

“A Reflection of Destiny” – An Original Composition
Track by Anurag Mistra
Improvisation by Mark Jeffery Campayno
https://www.youtube.com/user/mrcampy123

This is a gorgeous track produced by my friend Anurag Mishra and one that is perfectly suited to playing improvised lines over. Everything about it is suited to melodic development and soaring vocal-like lines.This is my first move into playing lines that are not typical or expected. I played with a more legato tech nique in this solo then I ever have before letting the sound of the guitar do the rest.

This “moving away” from traditional musical expression comes from two things: Daring to be different, forcing change in my usual approach to playing, and a lot of reflection on guitar playing in general. Sometimes expression on the instrument can only be produced by forcing technical demands in both rhythm and note choice.

There is no question that musical performance, especially improvising, it’s the truest manifestation of the soul.

Thank you Anurag for an amazing track.

Check out Anurag’s music!

Anurag Mishra’s Bandcamp