An Acoustic Duo Cover
“Town Theme” written by the prodigious Anime composer Nobuo Uematsu, is a short but alluring piece of music. Consisting of a light texture with a hypnotic rhythmic movement, the melodicism embedded in the sections gives it the staying power it needs for its role in the game, Final Fantasy.
I chose to cover “Town Theme”theme using a acoustic guitar duo format. My obsession with random improvised harmonies was perfectly suited to the music’s construction. Not that the work needed my help mind you, it was just my way of interpreting the “hidden harmonies” one hears when the obsession with music runs deep in your brain.
Like all great composers Uematsu gets to the techniques that color otherwise plain tonal music. This is where the theme becomes legend. An ordinary composer would struggle to rise to such heights with such a project. Writing of this type can be an exercise in frustration as the limitless creative powers one has are kept at bay due to the reality of keeping the music close to home in terms of listenability and ultimately, commercialism.
The first few seconds of “Town Theme” are telling. A very clever two-measure introduction opens with an artful C major arpeggio. In the following measure the composer wastes no time and goes for the gold medal with a beautiful second-inversion iv6 chord. The Fm/C substitutes for the dominant (as it’s prone to do) giving measure 3 the push it needs to move forward like a bright, sunny, and brisk Sunday afternoon drive.
In measures 9-10, an absolutely perfect cadence is set up to put and end to the first melodic statement. The progression, V I vi V2 bVI I5 V I is nothing short of mesmerizing.
Is it genius writing? Maybe not being that the role o the theme is to bring one back to the center. But, I would challenge you who are composers to attempt such writing using the obvious restrictions during your process.
You will come out a better writer as you reach deeper into multi-part writing. Keeping track of all voices and rhythms at your disposal your creative power will grow.
Mark Jeffery Campayno
than this?”John 5 played a blistering four minute long guitar solo during Rob Zombie’s covert walkathon through the crowd. Ya, maybe a little cliche at times but still great. It’s about time he was allowed to cut loose. It wasn’t going to happen with Marilyn Manson as the music wasn’t about long guitar solos. But with Rob’s vibe, it fits perfectly. 
e. The keyboard part at the beginning could have been tweaked a bit better but nevertheless, it was refreshing to see fans of all ages singing along. It was a genius move to cover that gem.
he details of the early part of the day but let’s just say the she saw the “other side” of the music industry up close and personal.
lanned to be an interview/review of a double-release by the band, Silver and Moonlight. However, and as a great surprise to me, the interview segment blossomed into an exhaustive analysis of music making, improvisation, the inner workings of band live and composition, and a look into the mind of a gifted and artistic young lady…I would dare say a modern, artistic renaissance woman.
nd a have you are closer to the truth.
The Studio Rocks w/Mark Campayno
Lo and behold I hear this music…this guitar and bass drum. Then, I hear the voice. Instantly, I knew it was her. I’m thinking no not again! But, this was different. This song cut through my musical being like a knife. The songs ends and the light turns green. I rush into the parking lot, into the
Here is what I have so far of the guitar and percussion part for the song. I will have it finished tomorrow and will turn this into the finished product. This should suffice for the next 12 hours.
so far. Both its sound and construction are exactly what I look for in instrumental guitar works. Like anything else that comes as a pleasant surprise, this was one of those sessions where everything came together. I must say however, that I never go into a session with a preconceived idea, well at least not one that is carved in stone. My brain doesn’t work that way even though I can be very conservative and by the book in other areas of performance and study.
o an altered tuning or not? Should I play fast or slow? That does nothing more than push your spirit into a one-dimensional force bent on being traditional. Traditional for the sake of tradition. Not to pay homage to it, but to be bound by it.
journey. However, I’m sure I’ll go back to the struggle until I can take control of angular and the unexpected in my playing.
Progression 1 (4 measures)
The intro is: A B
our breath. But, if you yearn for the days of big hair, perfectly processed guitars, and fist in the air rock bravado, prepare yourself to be transformed. Yes, the decade of decadence and excess lives on!
Want proof? Try “Silence”, a heartbreaking tune reminiscent of the great hard rock ballads of the past. Using all their powers, the boys come through big on this one with a moving performance full of arpeggiated passages, gorgeous guitar breaks, and pleading vocals.
“What Do You Mean” Acoustic Guitar Tutorial
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