Zac, Rob, Korn, and more views from the pit.

The joys and “pit”falls of working live shows.

 One thing is sure, people still love live music. If there was any worry that is was slowing down that’s surely gone. Fans want the real deal. Audio improvements, ease of downloading music, and the saturation of music in the media have not dimmed that internal desire for live performance. Our GM put it best when he said that “the business is healthy, and business is good”. The pubic’s desire to become, as it where, part of the experience continues to bring them to venues in droves.

Jiffy Lube Live Bristow, Virginia

All of us deal with concert goers that come up to us pleading that they know someone in the band. I knew rock stars were “prolific” but I didn’t know it spread so far. My reaction is always “You don’t say?!” “How do you know him?” Crickets…:)

Rob Zombie’s set smoked. He sounded great and to be honest, for a few moments I forgot who the headliner really was. I kept thinking, “How can the show get any bigger 93837a79b2ef7b127343d2e0dda72c91than this?”John 5 played a blistering four minute long guitar solo during Rob Zombie’s covert walkathon through the crowd. Ya, maybe a little cliche at times but still great. It’s about time he was allowed to cut loose. It wasn’t going to happen with Marilyn Manson as the music wasn’t about long guitar solos. But with Rob’s vibe, it fits perfectly. 

Zac Brown’s horn section ripped out some of the most thrilling lines I’ve ever heard during their spotlight. For sure horns in a country band are unusual. Credit has to be given to Zac’s vision of the band as the variety of instruments in Zac’s music is what creates the magic.

Korn has to have the largest female following in Metal. Easily. I’m not saying I have the reason for it, it’s just a fact. What does it mean? I dunno, maybe there’s something to be learned here for other bands who carry a heavy “guy” fan base.

We like Korn. And?
 
Breaking up fights during shows is dangersome and delicate. But, there is an art to it. One things for sure, a girl fight is the dread of us all.

Can’t we all just get along?
 
Zac Brown’s cover of The Who’s, “Baba O’ Reilly” was explosivteenage_wasteland___baba_o_riley__the_who_by_hulkcarlos-d6kcbvte. The keyboard part at the beginning could have been tweaked a bit better but nevertheless, it was refreshing to see fans of all ages singing along. It was a genius move to cover that gem.

I still don’t understand mosh pits. How more young people are not injured is beyond me. Flailing arms, karate kicks, muscular hulks with fire in their eyes, females fearlessly running around impervious to the danger. It’s interesting to watch but that doesn’t make it any more understandable to me. But…hey, it’s there and it’s part of what makes this music burn.

Hey man you off my shoes!

Korn’s music has a unique element in it that produces an aggressive and hyper-ecstatic reaction in its fans. What that element is centers around their unique harm and very tight and compressed sound. There were moments when it felt as though the venue was about to go nuclear.

 

 Zac Brown’s music is at times fun, sad, reflective, lively, and safe. But, when he hit the stage it all changed. The high-octane crowd took it to another level. Zac rocked hard. I must say I was pleasantly surprised! Be assured that Zac Brown is the real deal. He runs a very well oiled music machine and they are tight.

Zac can rock!

 

 

 

 

The key to being good at working on the floor during high energy shows is a very keen sense of people. If you can’t read a situation instantly you won’t make it. You have to look, evaluate, judge, and keep your eyes moving. Other than that it’s a piece of cake.

Hold on while I read you.

 

 

 

 

 

Experience. There is no substitution for it. Every show, every situation, and every moment is an opportunity for growth and movement forward. This is the greatest job I ever loved.

-Mark

 

Scanning the incoming crowd.

Mark Jeffery Campayno runs a music performance studio, Musicians-inc/StudioRock of Northern Virginia. Mark also directs the guitar department at Broad Run High School in Ashburn,Virginia. He also works on the pit crew at Live Nation’s Jiffy Lube Live Pavilion in Bristow, Virginia, and hosts his own internet radio show, The Studio Rocks at http://www.jazzbites.com.


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It’s Time…To Deal…with…School Violence…Once and for All…for All.

It’s time…to deal…with…School Violence…once and for all…for ALl.

With almost weekly reports of school violence in the United States, it’s becoming clear that the problem is Nschool_violenceOT going away anytime soon. Without swift and direct action just to get up to a defensive position in this never-ending battle, action is needed from the community at large. This means out-of-comfort-zone time for those brave enough to accept this challenge.

Open dialogue between parents and students is the most glaring need. But, the community must first put pressure on schools to stop “walking the other way” when “unpleasant” necessary action is in order. Without enthusiastic desire and an open and trusting relationship, this merging of two potential powerhouses will fade away and the violence will go unchecked as our desire to deal with it at all will becomes buried in malaise and denial.

I have decided and am as of now beginning a campaign that will assist in the nationwide effort to rid our public schools of the worst crisis in its history. My organization will be named Step Up and Act, and will begin by collecting and disseminating information to and about local school districts in the Northern Virginia, Washington DC, and Southern Maryland areas. My organization will be a place of information and conflict resolution ideas that can be implemented in local school anviolence1d community organizations. The ultimate goal will be to assist and actively participate in anti-violence and conflict resolution implementation in school districts nationwide.

Why is this necessary? Why another program? Because the problem is outgrowing our ability to handle it. The only solution will come from inside the school buildings themselves. From the very individuals who are involved. Open dialogue can and will go a long way in educating all in positive conflict resolution leading to wider violence curbing measures.

More details will be forthcoming as will more public service messages like this one. Time is not kind to us now. We are in the crisis, and it shows no sign of abating.

Mark Jeffery Campayno

E-Mail:

markjefferycampayno@gmail.com