“Find Me” – XXXTentacion’s Guitar Fronting Again

“Find Me” Guitar Tutorial

XXXTentacion has once again placed the guitar front and center in another of his mixes. The young man continues to use the instrument that was missing in the genre since the days of the famous collaboration with Run DMC “Walk This Way”.

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X’s guitar is very unlike Joe Perry’s as there are no wild guitar solos and few power chord excursions. What there is though is pure rhythmic and melodic contours that light up his music.

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For this song you will need a clean electric and delay. Check out the tutorial and I’ll have more to say here.

“Find Me” Tutorial

“Find Me” Guitar Pro Score/Tab

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XXXTentacion “Indecision” Guitar Tutorial and Guitar Pro Score.

“Indecision” by the 19 year old rapper XXXTentacion is easily one of the most angry displays of angst and rage that’s come from an artist in years. This is “real feel”. Of course, the reasons are well-known by fans and foes alike. But, one thing is unmistakeable, the troubled teen is one clever musician as he knows how to creat a vibe that gets traction and respect.

The music is much the same as the falling chromatic bass line in this dark-minor dirge drags you into a world of his making. One where the guitar becomes a willing ally in misery revenge.

The guitar part is not difficult to perform technically, but the vibe is. It’s a one shot ode to life in the life of crime and swagger. Sounding “very” improvised this short but potent part is fun to play as one can feign anger and injustice from the perspective of, “Hey, glad it’s not my life, but I can pretend.”

Use a messy sounding light overdrive setting but hit the strings like the hours are counting down and the bill is due. You can then unashamedly drench the guitar solos in reverb and play with feeling.

“Indecision” Electric Guitar Tutorial

“Indecision” Guitar Tab

A 1:01 “It’s Strange” cover takes off!

Acoustic Guitar Tutorial for  “It’s Strange” original by Louis the Child (Feat. K. Flay).

For this tutorial I think it’s fair to warn you that you’d better be  ready to work that right hand. Guitarist Ashley Juno is a firecracker of a player and is off the charts on this one minute barrage.

Handling both electric and acoustic guitars with ease this young lady is breathing fire into the word of pop and rock covers. She plays with an creative aggression not seen for a long time. Finally!!!!

I have provided the tab and tutorial for the first two measures! What? Why only two measures? Well, there is so much going on that I was not leaving any detail out of this wild acoustic guitar display. The into consists of only two chords, D Major 7 and an E minor 7. They are root 5 structures and will certainly get you up to speed on the shapes.

The challenge will be in the right hand. Well, I’ll have more to say about that soon!

“It’s Strange” Guitar Pro PDF

Youtube Video:

“It’s Strange” – Youtube Tutorial

A Music Nerd Who Is In Search Of The Beat

 

Yesterday, beginning at 1:00 pm I set out on a mission of sorts. I left early to assist a current student on her first day at Jiffy Lube Live (Live Nation). I won’t go into the details of the early part of the day but let’s just say the she saw the “other side” of the music industry up close and personal.

After our three or so hours in purgatory we took 5 minutes to recover and then moved into the house area. She and the majority of the 16,000 (more or less) fans understand well what was to come. But I remain perplexed. As I got closer the music got louder…much louder. As I descended the steps into the pit area the energy was as high as I can ever remember in my two plus years working on the floor.

I can still feel those first few moments. But alas, I am left this morning with a puzzling problem that won’t go away. Why do I remain in a state of confusion over an element of music that I was sure I had mastered. An element that is present even when it’s not obvious, that is, the beat.


The show, G-Easy and Logic was basically, and for lack of a better term
, was (mostly) White Rap. The crowd was energized and looking at the faces of the mostly 17-24 year old audience I realize once again just how powerful this music is.


There’s no use, nor is it my intention, in analyzing or getting into the lyrical content, the delivery, or the sometimes conflicting messages and  meanings behind this musical phenomenon. I have a bigger issue with the music, and if you are honest with yourself, you can find socio-lyrical dilemmas in all styles and genres of popular music.

 

It’s been bugging me for a while that I cannot get what makes a good hip hop/ rap beat. I know, and can construct, rock beats, Latin beats, jazz beats, funk beats, metal beats, and electronic beats. But when it comes to rap I don’t have it “locked in” yet. I just want to understand it in theoretical terms


I’ll say one thing for rap, they have the bass sound locked and loaded. There was a point last night where I thought my body was going to split in two. I was positioned directly in front of and slightly below the wall of bass cabinets that were stacked on top of the stage. The bass was not just loud but was vibrating every cell in my being.Wait, I think I’ve hit on something here! Is it possible that the bass supersedes the beat and is subservient to it? If this is so then hell, I’m letting it go. I mean, I’m not going to become a rap dj or a producer of rap beats for that matter. But wait, I’m a nerd. I have to know. I can’t drop it.


Someone help! I need the beat! Just tell me what is different a
bout the role of the beat? What should it have? What shouldn’t it have? Do I need a cowbell?

 

 

-Mark Jeffery Campayno