A Nylon String Guitar Original Work
Prelude
This “classical guitar” work in the new acoustic style is by far my favorite of the ones I’ve written 
so far. Both its sound and construction are exactly what I look for in instrumental guitar works. Like anything else that comes as a pleasant surprise, this was one of those sessions where everything came together. I must say however, that I never go into a session with a preconceived idea, well at least not one that is carved in stone. My brain doesn’t work that way even though I can be very conservative and by the book in other areas of performance and study.
Methodology
I go in to such sessions randomly trying not to get caught up in the guitarists mindset that can plague your endlessly. The thoughts and schemes such as what key? What scales or chords? Should I go int
o an altered tuning or not? Should I play fast or slow? That does nothing more than push your spirit into a one-dimensional force bent on being traditional. Traditional for the sake of tradition. Not to pay homage to it, but to be bound by it.
The Work
I don’t remember consciously doing this but it has a logical rhythmic flow to it. The piece starts out by stating the melody in between a very dense foundation 
of dark arpeggiated chords. I overdubbed some, but not all of the harmonics onto the work as a decorative effect. I, like many non-guitarists, tend to find them aurally attractive and very desirable especially on acoustic guitar.
Technique
The slurred sections were not easy but flowed surprisingly well considering that I had no plan for incorporating them. I’m very happy with how they turned out. It’s my climbing Mount Everest moment as that are fairly athletic. It will take quite a few minutes to pull them back under my fingers in that exact configuration. However, I must take the time to score out the work so as to codify it. In that way, it becomes “official”, solid, unbending. Unless, of course, I go back and change the score.
Angular Thinking
As musicians, we all have areas that are endemic to our playing. I love the angular in music, but to produce it well is not easy. This was one time that it happened without the usual struggle and gnashing of teeth. The fleeting moments of non-compliance with the voices in our heads that would doubt us.The total control one has sought from the beginning of the 
journey. However, I’m sure I’ll go back to the struggle until I can take control of angular and the unexpected in my playing.
Thank God for the guitar.
-Mark Jeffery Campayno
away from the fun and learning that goes on during live recording sessions, however there is much to consider as you prepare for this experience.
Remember to provide your engineer with a detailed list of your songs and the structure. If not, the clock will tick as you try in vain to describe how each song goes. That is a gigantic time waster. Provide also each member’s role on the songs. Who sings harmonies, who plays tambourine, when does that elusive cowbell part come in?
Published on Mar 20, 2016
Progression 1 (4 measures)
“What Do You Mean” Acoustic Guitar Tutorial
blistering funk/soul track by Maryland’s own Vonn Love, sets the tone for a ride that will have you moving for the next 5 plus minutes! Vonn Love’s clever approach to the subject of “woman” is at once engaging, tongue in cheek, and just plain fun. His ability to combine the best of soul, funk, and blues is tops in the genre.
middle section of the tune.
@MarkGTR 