Music is music yes? Well, no. As the days pass it becomes clear that music style and music blending are now becoming as one. Sub-genres, new genres, and blended forms are shaking the foundation of what once was a fairly stable set of norms for each culture.
Music is in this state of flux because of the massive increase in the ability of humans to communicate. Instant access to practically to anywhere in the world has enabled a sharing of art and culture unlike anything we’ve ever seen. Music is now being composed that may contain elements from two or more cultures. This is now the norm and the movement is picking up even more momentum as each day passes. 
Take Anurag Mishra, a native of Mumbai, India. He creates music that is eclectic and mixed with culture and pure intuition. A man after my own heart he writes, “I can type and type but words have no meaning really. Just listen, that will be enough.” His musical vignettes are snapshots, or better to say, short stories of his life experience mixed with elements of his native and western musical experiences and intuition.
His mix of nature and urban background sounds are as real and alive as his music. How does one conceive of such creativity? Anurag himself is a man who can be passionate and incredibly humorous. He wears his heart on his sleeve and can be at once, or in part, highly emotional and extremely patient and kind. But, that is what makes his music so varied and engaging.
Using his instrumental musings as musical poetry is part and partial of what Anurag is about. His three-song collection The Journey is a prime example. When Anurag says, “I recorded these songs on an old broken mandolin, the tuning alone took hours, but man the tone of old wood. :)” you understand immediately that he is an old soul. He is clearly a composer free and uninhibited ready to create that which is delivered by the process of “creative composing“. He is a self-taught savant ready always for the music to call.
His compositions come to us as not just sounds, but pieces of our lives. For him, bringing music to the earth is almost a religious experience. He takes it seriously and fights hard to get every once of feeling into his works. He is a master of arpeggiated emotionalism in this case taking cello and mandolin and creating what can only be described as a miracle of moving symbolism in musical dialogue. “Wings” is by far his greatest work thus far. Moving me to a state of paralysis until it ends, its notes fall as pedals of sound pulling at every fibre of my being.
“Breathing” sounds like a classical etude until the entrance of the cello. It’s then that you realize he’s done it again. He’s opened your heart. Out it comes, good memories, bad memories; people flash before your eyes. You see that. which you wished to let go of. Then, instantly the music brightens a little and life becomes once again bearable and recoverable. The song ends abruptly with no warning, but not too soon. For Anurag, you see, will write as long as he needs to. No more, no less. Be assured however, that the message will be there for you. But, only you.
In the last composition, “The Red Earth”, you are struck by the beauty of the world. All the earth, not just your small part of it. He describes the piece as “changes from light to dark, or dark to light”. Don’t dare ask for more of an explanation than that. He won’t give it and in this change I speak of, your interpretation pulls more weight. Creators of world instrumental music are happy to listen to your descriptions as it gives them a window into a world they wish to discover.
At the end of this short but powerful collection, you realize that in music at least the universe and it’s inhabitants can live as one. We can understand each other. We can overcome and embrace who we are. We can create freely. Anurag Mishra’s 8:13 seconds of breathtaking soundscapes prove that the world is changing quickly around us.
Mark Jeffery Campayno
Lo and behold I hear this music…this guitar and bass drum. Then, I hear the voice. Instantly, I knew it was her. I’m thinking no not again! But, this was different. This song cut through my musical being like a knife. The songs ends and the light turns green. I rush into the parking lot, into the
Here is what I have so far of the guitar and percussion part for the song. I will have it finished tomorrow and will turn this into the finished product. This should suffice for the next 12 hours.
our breath. But, if you yearn for the days of big hair, perfectly processed guitars, and fist in the air rock bravado, prepare yourself to be transformed. Yes, the decade of decadence and excess lives on!
Want proof? Try “Silence”, a heartbreaking tune reminiscent of the great hard rock ballads of the past. Using all their powers, the boys come through big on this one with a moving performance full of arpeggiated passages, gorgeous guitar breaks, and pleading vocals.
@MarkGTR 